Stefan's research has been published in conference proceedings and by several journals, including The Australian Music Teacher and The Studio.
Roberts, S. (2024). Factors shaping secondary classroom music teachers' student self-assessment practices in music performance pedagogy: An ecological model. CQUniversity. PhD Thesis. https://doi.org/10.25946/27949878
Roberts, S. (in press). Talk the talk BUT walk the walk? Inconsistencies between teachers’ motivational beliefs and their classroom instructional practices in student self-reflection in music performance learning.
Roberts, S. (in press). High-Stakes Testing: Friend or Foe? Implications impacting secondary music teachers’ use of student self-reflection instructional and assessment practices in music performance learning.
Roberts, S. (in press). Contextual factors influencing secondary music teachers’ use of student self-reflection instructional and assessment practices in music performance learning.
Roberts, S. (in press). Motivating factors influencing secondary music teachers’ use of student self-reflection instructional and assessment practices in music performance learning.
Roberts, S. (2011). Metacognition in Music Performance: Theoretical frameworks within an Assessment for Learning paradigm. XVIII National Australian Society for Music Education (ASME) conference proceedings, Making Sound Waves: Diversity, Unity, Equity, Gold Coast, Queensland.
Roberts, S. (2001). Chopin and Liszt: A
Comparison of Their Teaching and Influence on Piano Playing (Part 2). The Australian Music Teacher, 8(6), 15-23.
Roberts, S. (2001). Chopin and Liszt: A Comparison of Their Teaching and Influence on Piano Playing (Part 1). The Australian Music Teacher, 8(5), 40-50.
Roberts, S. (2001). The New Standards-Referenced HSC and the Music Performance Teacher. The Studio, 7(2).
Roberts, S. (1999). The Keyboard Essercizi of Giuseppe Domenico Scarlatti. The Studio, 5(2), 39-49.
Roberts, S. (1999). Coming to Terms with the Fortepianos Associated with Beethoven. The Australian Music Teacher, 7(1), 30-37.
Roberts, S. (1999, July 3-7). Mendelssohn’s Songs Without Words: Emotional impressions or language associations, Classic or Romantic? Fourth Australian National Piano Pedagogy conference proceedings, Embracing the New Millennium, University of Western Australia, Nedlands.
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